
Simon Norfolk's work takes an unconventional approach to war photography. Instead of depicting people and narratives, he documents landscapes influenced by war: from building ruins to technological landscapes (eg.
Ascension Island, The Panopticon*), to war reenactments on movie sets.
His work "Et In Arcadia Ego" gets its title from two
Poussin paintings of tombs, and translates "Even Death [personified] exists in Arcadia [i.e. Paradise]." The title has an alternate significance for the
Freemasons (today known via
The DaVinci Code), whom interpret it: "the [dead] person buried here [in Pousin's painting] once lived in Arcadia" (in this case the person in the tomb is not Death personified but the Virgin Mary). Norfolk doesn't reference either the Freemasons or Mary in his work, so it is hard to say if this is of significance. He does reference Stanley Kubrick's
Space Odyssey in his series
The Supercomputers: 'I'm sorry Dave, I'm afraid I can't do that,' ostensibly to foreshadow a technological doomsday.
A blogger's response to an interview with Mr. Norfolk (
here) suggests he builds on the work of
Paul Virilio.
*Wikipedia doesn't mention the Panopticon in it's Ascension Island entry, nor does a Wiki search for "Panopticon" yield any result. Same for Google.